voyeurism leaves the viewer with no control over the situation, but it does not duplicate and then cleave the viewer's mind. the only severe frustration caused by the medium is not being able to change the camera's perspective. the voyeur is only an eye.
on the other hand, being placed in the role of the participant makes for a more convincing illusion - an illusion that aims to consume the viewer's identity.
the mechanics: as the viewer surrenders to the film, both the sense of immersion and paralysis increase. each gesture and movement is less and less one's own. and with the general dynamic of the format, the most urgent and captivating moments belong to someone else. the viewer kills to be something they are not and cannot be!
as i see it, it is the spectacle conquering the realm of sexual desire. situations are crafted that appeal in part to the viewer, but end up just constricting the spectrum of action and thought. this mechanic is not limited to pornography. i see a similiar type of fascism in the behavior of damien hirst. and all creators who can't seem to get over themselves and what they do.
now, i do not have a lot of background in media studies. and i think that many people probably consider the Situationist International (wiki) to be lost to the past. so, if...
- you know any works about this stuff
- or find that what i've said is amateurish (it is) and ill-informed
- or just want to say whatcha gonna say