I don't remember ever being so profoundly affected by music, on a physiological level, as I just was by my first listen to Hecker's new (well, several months old, but newest as of now) album, Acid in the Style of David Tudor. You can feel this music. If I read someone saying you almost feel like you can see it I would write them off as either a) Pitchfork-level retarded or b) synaesthetic to the point of not sharing my understanding of the world, but I'm tempted to say it anyway, because I really feel like I almost can. Editions Mego, who released the album, recommend playing the album loud on speakers, and avoiding headphones. Good idea. I haven't tried it on headphones (though I think I may, at very low volume, to see what that's like), but it seems risky. This stuff seems like it could easily damage your ears, not necessarily by virtue of being loud but by attacking them. Aside from that, listening on stereo speakers rather than headphones allows the music to physically fill the space you're listening in, and no matter how large that space, it will fill it. Listen loud, feel your furniture and your body shake.
There are intellectual things that could be discussed about the album (mostly things related to how entirely accurate the album's title is), but I'm not going to. On a purely visceral level this shit is amazing. It altered my involuntary physical functions. It at times scared the shit out of me, and at others made me laugh hysterically, and at times almost (almost) made me cry for the beauty. If I sound faggy, I'm sorry. If I'm talking a way I don't usually, it's because I felt this in a way I usually don't. If this strikes you as my usual hyperbole, well, don't listen to me, listen to fucking Hecker.
Even the silence when it's over feels like a goddamn revelation, and again, I'm sorry I'm talking like this. I don't know what else to say.
Split into three parts because of free fileden's limitations. I don't pull any of that linked .rar files nonsense or any password shit so there shouldn't be any difficulties.
Part One
Part Two
Part Three
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